Batman Isaidub -
Some screenshots of what is possible today. Imagine the future.
The visualisation and simulation platform focused on what matters to you.
Geppetto is a web-based visualisation and simulation platform to build neuroscience software applications. Reuse best practices, best compomnents, best design. Don't reinvent the wheel.
Engineered together with scientists, Geppetto lets you integrate different data and models. A modular architecture allows the platform to easily support different standard formats for both experimental and computational data.
Geppetto is entirely open source and engineers, scientists and developers from different research groups are contributing to its development by adding functionality to visualize and simulate new data and models.
The first impression is tonal dissonance in the best way. Batman’s world is built on silence, on the careful calibration of fear. Dub, by contrast, is about space — echo, reverb, and the art of carving out a groove by subtracting and suspending elements. Marrying the two flips the script: instead of silence reinforcing menace, delay and low-end become tools of atmosphere, turning the Bat-Signal into a throbbing pulse, the rain on rooftops into a shuffling hi-hat, and the Batmobile’s roar into a wobble that’s as cinematic as it is danceable.
Of course, the idea raises a question: why remix an icon so established? Because reinvention keeps myths alive. Stories that survive
Part of the charm of "Batman IsaiDub" is its DIY spirit. Dub’s roots in remix culture — taking existing tracks and reshaping them into something new — mirrors fan creativity around comic icons. Fans remix panels, costumes, and arcs; here they remix the soundtrack of a myth. It’s a democratic art form: producers with modest setups can produce cavernous soundscapes that feel epic, and in doing so invite new audiences into the mythos. The Bat becomes not only a protector but a collaborator, a cultural node where jazz, reggae, electronica, and noir intersect.
Some screenshots of what is possible today. Imagine the future.
Help us build the next generation simulation platform!
Geppetto is entirely open source and is being built by a growing community of talented engineers and scientists. Geppetto uses different languages to achieve different goals. Its core and back-end are built in Java to provide a solid and performant infrastructure. The front-end is built using the latest HTML5 and Javascript. Geppetto is being developed using the Eclipse platform and uses technologies like OSGi, Spring Framework, and Maven. Geppetto's model abstraction is defined using ecore and all the model code is generated using EMF. Geppetto's front-end is written using THREE.js, React and Backbone. The back-end and the front-end communicate by exchanging JSON messages through WebSocket. Geppetto runs on the Eclipse Virgo WebServer and can be deployed on different infrastructures including cloud-based ones like Amazon EC2. Anything sound familiar? batman isaidub
Geppetto is multi-platform and works on Linux, Mac OSX and Windows, so no matter on what platform you develop there is a way for you to run it and add fantastic contributions. The first impression is tonal dissonance in the best way
Show me the code!
Right! Geppetto is hosted on GitHub, every module has its own repository to provide flexible ways of branching individual components. For every module we have at least two branches, development and master. The development branch gets merged into master each monthly release. If you want to contribute you can either go straight to the code or reach out to us dropping an , we will show you around and help you contribute in your favorite way! Marrying the two flips the script: instead of
Source code Docs Development boardThe first impression is tonal dissonance in the best way. Batman’s world is built on silence, on the careful calibration of fear. Dub, by contrast, is about space — echo, reverb, and the art of carving out a groove by subtracting and suspending elements. Marrying the two flips the script: instead of silence reinforcing menace, delay and low-end become tools of atmosphere, turning the Bat-Signal into a throbbing pulse, the rain on rooftops into a shuffling hi-hat, and the Batmobile’s roar into a wobble that’s as cinematic as it is danceable.
Of course, the idea raises a question: why remix an icon so established? Because reinvention keeps myths alive. Stories that survive
Part of the charm of "Batman IsaiDub" is its DIY spirit. Dub’s roots in remix culture — taking existing tracks and reshaping them into something new — mirrors fan creativity around comic icons. Fans remix panels, costumes, and arcs; here they remix the soundtrack of a myth. It’s a democratic art form: producers with modest setups can produce cavernous soundscapes that feel epic, and in doing so invite new audiences into the mythos. The Bat becomes not only a protector but a collaborator, a cultural node where jazz, reggae, electronica, and noir intersect.